Submissions
Submission Preparation Checklist
As part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.-
The text has not been published or submitted previously to another periodical.
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The submitted file is formatted in Microsoft Word or Open Office.
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The text adheres to the bibliographic requirements and the style rules indicated in the Instructions for Authors, which can be found in the “About” section of the journal.
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If I am submitting a document for peer review, I guarantee the instructions outlined in Ensuring a Blind Review have been followed.
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Call for Papers 2025 - I
Artículos de investigación revisados por par doble ciego.
Call for Papers 2025 - I
Artículos de investigación revisados por par doble ciego.
Call for Papers 2024 - II
Artículos de investigación revisados por par doble ciego.
Call for Papers 2024 - I
Double-blind peer-reviewed research articles.
Public Relations in a World of Disinformation
We receive only the papers that will be part of the monograph “Public Relations in the World of Disinformation”. It is derived from the Congress of the Association of Public Relations Researchers.
The XVIII edition of the Congress of the Association of Researchers in Public Relations (AIRP) was held on June 12, 13 and 14 at the Ourense Campus of the University of Vigo (UVigo), in co-organization with the Department of Audiovisual Communication and Advertising, the research project FAKELOCAL: Map of Disinformation in the Autonomous Communities and Local Entities of Spain and its Digital Ecosystem (Ref. PID2021-124293OB-I00) and the Faculty of Education and Social Work of said university, under the title “Public Relations in the World of Disinformation”.
Since 2004, AIRP has organized the premier international conference on the academic research and professional practice of Public Relations. The conference has contributed to the academic and professional literature worldwide, and has promoted a significant expansion of this discipline. This edition aims to lay the epistemological foundations, from the perspective of Public Relations, to empirically discern the elements of encounter and disagreement between the essence and purpose of Public Relations and the professional current focused on institutional communication and community relations, along with social responsibility and activism, both in academia and in communication departments, agencies and consultancies around the world in a society marked by the phenomenon of misinformation. In any case, the main purpose of the congress does not preclude the submission and acceptance of papers focused on any of the multiple professional and academic aspects of Public Relations.
The subject can be approached from the different conceptions and prisms that this dichotomy between both concepts invites: the historical framework and evolution; the formative; the normative; the structural; the professional praxis in different countries; the strategic, tactical and instrumental; the ethical and deontological; the terminological, semantic, epistemological and conceptual (organizational culture; identity; corporate image and reputation; perceptions, attitudes and behaviors; trust and relationship; corporate brand; audiences and stakeholders; etc.) or the professional profile of the communication function. ) or the professional profile of the communication function.
The specific theme of this year's congress was “Public Relations in the World of Disinformation”, although relatively few papers focused on disinformation. Since for AIRP what is really important is public relations and disinformation is the current context in which they coexist, we have not applied a mandatory filter to address this factor. However, if we see that we find it difficult to argue the reduction of proposals to be finally published, we could still claim a greater or lesser adequacy to the world of disinformation.
Film, Documentary and Transmedia: Theoretical and Practical Approaches to Audiovisual Content
The monograph explores various facets of contemporary cinema and documentary, ranging from the evolution of specific genres to analyzing distribution platforms. The articles investigate how new technologies and innovative narratives are transforming audiovisual content production, distribution, and consumption. Through case studies and methodological analysis, topics such as immersive journalism in 360º video, the adaptation of Aristotelian theory applied to modern cinema, and the impact of digital platforms on university film festivals are addressed. In addition, it examines the relationship between isolation and sociability in film consumption by young people, the use of performative documentaries to explore artistic identity, and transmedia dynamics in the Marvel universe. Chapters also include studies on enunciative strategies in Spanish nonfiction cinema and the representation of collective action, as well as analyses of the contemplative gaze in Bresson's cinema and gender dialectics in Spanish cinema. This body of research offers a comprehensive view of audiovisual' transformations since the 1960s. It also analyzes current trends in the audiovisual field, highlighting the intersection between technology, narrative, and society.
Subjects: Film Narrative, Enunciation in Film, Film Analysis, Film Distribution Platforms and Modes, Consumption and Sociability in the Digital Age, Journalism and Immersive Documentary, Transmedia Narratives.
Communication, Climate Change, and the 2030 Agenda
Only articles related to the theme of this monograph will be accepted. Palabra Clave is not accepting articles from the general call for papers, so if the article received is not related to this call, it will be rejected.
This special issue seeks to foster dialogue, generate shared knowledge, and build collaborative relationships among Latin American researchers, educators, practitioners, and graduate students specializing in organizational communication. The focus is on critical issues framed by the United Nations’ Sustainable Development Goals (SDGs), climate change, and territoriality.
The 2030 Agenda for Sustainable Development, adopted by the United Nations, represents an ambitious global agreement that mobilizes diverse societal actors and exposes the tensions between public and private interests across economic, social, and environmental dimensions. Corporations, public institutions, and organized social movements increasingly assume leadership roles in addressing these contradictions and information gaps. These actors engage in efforts to reconcile knowledge asymmetries, promote action-oriented solutions, and mitigate the adverse impacts humanity has already inflicted on the planet. Confronting these challenges and advancing societal transformation requires ethical, accountable, and engaged communication practices.
The Responsibility of Organizational Communication in Advancing the SDGs
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Strategic integration of the SDGs into organizational communication processes.
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Transparent communication and accountability mechanisms within the SDG framework.
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Innovation in communication strategies to raise awareness and foster engagement with the SDGs.
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Ethical challenges and dilemmas in the communication of sustainable development initiatives.
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Measurement and evaluation of the impact of communication on sustainability outcomes.
Communicating Climate Change
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Narratives, misinformation, and information literacy in the context of climate change discourse.
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Communication strategies and tactics for effective climate change engagement.
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Technological innovation and environmental communication.
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Civic participation, activism, and social mobilization for climate action.
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Ethics and social responsibility in climate change communication.
Sustainability, Populations, and Territoriality
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Sustainability, bioregions, and demographic dynamics.
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Territories, borders (both physical and virtual), and social relations.
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Empowerment for sustainability in urban and rural contexts.
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Community participation and sustainable development.
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Innovation and sustainable technologies tailored to specific territorial contexts.
Democracy (un)mediated: media, platforms and discourses of political communication in Latin America
The Latin American region is going through a moment of profound mutations in the field of political communication. The consolidation of populist leaderships, the impact of digital technologies on the configuration of public discourse, affective polarization, and disinformation as a recurrent discursive strategy are shaping a new scenario where the dynamics between media, power and citizenship require to be understood from critical, diverse and contextualized perspectives.
This special issue of the journal Palabra Clave, coordinated together with the Political Communication Section of the IAMCR, brings together a selection of research presented and discussed in the framework of the First Regional Conference held in May 2025 at the Benemérita Universidad Autónoma de Puebla. The papers that nourish it address issues such as hate speech, the performativity of political leadership in networks, gender stereotypes, the communication of governments and social movements, electoral disinformation, and the growing influence of digital media and artificial intelligence in democratic deliberation.
With comparative approaches, discursive analyses, experimental methodologies and national and regional case studies, the articles selected in this special issue seek to broaden the understanding of how political communication is articulated today in Latin America. Through a critical look at the present and a prospective vocation, these contributions provide a diverse and situated framework for analysis of the challenges facing our democracies in the face of the growing disintermediation of the public space.
We invite researchers, teachers and students to read, share and dialogue with these academic voices from the continent who, from different disciplines and theoretical positions, analyze the complexity of the link between politics, media and society in a time marked by disenchantment and the reinvention of symbolic power.
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