Regina José Galindo: Politics of Memory and Affect

Mark Eccles

doi:10.5294/pacla.2023.26.1.5

Autores

Mark Eccles Autor Universidad Nacional Autónoma de México https://orcid.org/0000-0003-2609-2911

DOI:

https://doi.org/10.5294/pacla.2023.26.1.5

Palavras-chave:

Evento, performance, Guatemala, afeto, memória, violência, história, verdade, simulação

Resumo

Neste artigo, pretende-se analisar o trabalho performático de Regina José Galindo por meio de sua performance “Quem pode apagar as pegadas?” para destacar como a memória política e o afeto (categorias intrínsecas na obra de Galindo) são eixos transversais de uma nova linguagem emancipadora que provém do acontecimento. Ao adotar o conceito de acontecimento de Alain Badiou, é possível propor novas perguntas sobre a arte e sua interação com as verdades do acontecimento, além de gerar verdades derivadas do acontecimento como parte dos processos integrais da arte.

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