The “Bad Boy” and the “Good Girl”: Role Models and Youth Representations in Spanish Teen Series
DOI:
https://doi.org/10.5294/pacla.2019.22.2.5Keywords:
Television, television production, television programmes, adolescence, youth, teen series, gender, stereotypesAbstract
El “chico malote” y la “chica responsable”: modelos aspiracionales y representaciones juveniles en las teen series españolas
O "menino mau" e a "menina responsável": modelos aspiracionais e representações juvenis nas séries adolescentes espanholas
The purpose of this article is to identify and analyze the role models of teenagers featured in Spanish teen series and regarded as favorites by this target. For this, two studies are combined: One of audiences conducted with 787 students from Barcelona, and focused on the analysis of gender differences when choosing and appreciating teen characters, and one of qualitative content, centered on the examination of the characters selected as preferred by the teenagers surveyed on the first stage. Results show that the teenagers interviewed tended to choose and appreciate male and female characters of teen series based on gender: firstly, both boys and girls mostly chose male characters as their favorites; secondly, male characters were mainly chosen because they are “rebellious”, “fun” and “bad boys with good background,” while female characters were mainly chosen for being “good” and “brave and determined.” The qualitative analysis confirms that male characters are rebellious, bad boys with good background, whereas female characters are responsible, attractive girls. Thus, Spanish teen series build a female sphere, associated with responsibility and sensitivity, and a male one, rebellious and virile. While there are also exceptions —more complex, nuance-rich characters—, they are a minority. These results warn us about the need to represent more plural and complex characters that move away from classic stereotypes that end up perpetuating gender differences.
Para citar este artículo / to reference this article / para citar este artigo
Masanet, M-J. y Fedele, M. (2019). El “chico malote” y la “chica responsable”: modelos aspiracionales y representaciones juveniles en las teen series españolas. Palabra Clave, 22(2), e.2019.22.2.5. DOI: 10.5294/pacla.2019.22.2.5
Recibido: 04/02/2018
Aceptado: 09/04/2018
Downloads
References
Balló, J. & Pérez, X. (1997). La semilla inmortal. Los argumentos universales en el cine. Barcelona: Editorial Anagrama.
Banks, M. J. (2004). A Boy for All Planets: Roswell, Smallville and the Teen Male Melodrama. En Davis, G. & Dickinson, K. (Ed.), Teen TV. Genre, Consumption and Identity (pp. 17–28). London: BFI.
Barriga, C. A., Shapiro, M. A. & Jhaveri, R. (2009). Media Context, Female Body Size and Perceived Realism. Sex Roles, 60, 128–141.
Davis, G. & Dickinson, K. (2004) (Ed.). Teen TV: Genre, Consumption and Identity. London: BFI.
de Miguel, V. (2015). Percepción de la violencia de género en la adolescencia y la juventud. Delegación del Gobierno para la Violencia de Género. Ministerio de Sanidad, Política Social e Igualdad, Centro de Publicaciones: Madrid.
Erikson, E. H. (1980). Identidad: Juventud y crisis. Madrid: Taurus.
Feasey, R. (2006). Charmed: Why Teen Television Appeals to Women. Journal of Popular Film and Television, 34(1), pp. 2-9. doi: 10.3200/JPFT.34.1.2-9
Figueras-Maz, M., Tortajada, I. & Araüna, N. (2014). La erótica del “malote”. Lecturas adolescentes de las series televisivas: Atracción, deseo y relaciones sexuales y afectivas. Revista de Estudios de Juventud, 106, pp. 49–61.
Fouts, G. & Burggraf, K. (2000). Television Situation Comedies: Female Weight, Male Negative Comments, and Audience Reactions. Sex Roles, 42(9-10), pp. 925-932.
Galán-Fajardo, E. & Del Pino-Romero, C. (2010). Jóvenes, ficción televisiva y nuevas tecnologías. Área abierta, 25, pp. 1-17.
García, S. (2014). La aplicación de posibilidades transmedia e interactivas en las producciones seriadas de ficción de Antena 3: Análisis de la etapa plantea (2003-2010). Communication Papers, 3(4), pp. 22-36.
Igartua-Perosanz, J. J. (2006). Métodos cuantitativos de investigación en comunicación. Barcelona: Bosch.
Lacalle, C. (2011). La ficción interactiva: Televisión y Web 2.0. Ámbitos, 20, pp. 87-107.
Lauzen, M. M., Dozier, D. M. & Cleveland, E. (2006). Genre Matters: An Examination of Women Working Behind the Scenes and On-screen Portrayals in Reality and Scripted Prime-Time Programming. Sex Roles, 55(7-8), pp. 445-455.
Lauzen, M. M., Dozier, D. M. & Horan, N. (2008). Constructing Gender Stereotypes through Social Roles in Prime-Time Television. Journal of Broadcasting & Electronic Media, 52(2), pp. 200-214. doi: 10.1080/08838150801991971
Mastro, D. E. & Ortiz, M. (2008). A Content Analysis of Social Groups in Prime-Time Spanish-Language Television. Journal of Broadcasting and Electronic Media, 52(1), pp. 101-118. doi: 10.1080/08838150701820916
Mayor, F. (2014). Transmedia storytelling desde la ficción televisiva serial española: El caso de Antena 3. Cuadernos de Información y Comunicación, 19, pp. 69-85. doi: 10.5209/rev_CIYC.2014.v19.43904
McCrae, R. R. & Costa, P. T. The Five-Factor Theory of Personality. (2008). En John, O. P., Robins, R.W. & Pervin, L. A. (Ed.), Handbook of Personality: Theory and Research (pp. 159-181). New York: Guildford Press.
Mosely, R. (2001). The Teen Series. En Creeber, G. (Ed.), The Television Genre Book (pp. 41-43). London: BFI.
Osgerby, B. (2004). So Who’s Got Time for Adults!: Feminity, Consumption and the Development of Teen TV - from Gidget to Buffy. En Davis, G. & Dickinson, K. (Ed.), Teen TV. Genre, Consumption and Identity (pp. 71-86). London: BFI.
Ross, S. M. & Stein, L. E. (2008). Teen Television: Essays on Programming and Fandom. Jefferson, NC: McFarland.
Sánchez-Noriega, J. L. (1997). Crítica de la seducción mediática: Comunicación y cultura de masas en la opulencia informativa. Madrid: Tecnos.
Signorielli, N. (2007). How Are Children and Adolescents Portrayed on Prime-Time Television. En Mazzarella, S. R. (Ed.), 20 Questions About Youth and the Media (pp. 167–78). New York: Peter Lang.
Signorielli, N. & Bacue, A. (1999). Recognition and Respect: A Content Analysis of Prime-Time Television Characters across Three Decades. Sex Roles, 40(7-8), pp. 527-544.
Van Damme, E. (2010). Gender and Sexual Scripts in Popular US Teen Series: A Study on the Gendered Discourses in One Tree Hill and Gossip Girl. Catalan Journal of Communication & Cultural Studies, 2(1), pp. 77–92. doi: 10.1386/cjcs.2.1.77_1
Ventura, R. (2016). Tendencias de investigación sobre la heteronormatividad en los medios de comunicación. Opción, 32(10), pp. 932-952.
Published
How to Cite
Issue
Section
License
1. Proposed Policy for Journals That Offer Open Access
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.