Toward a Visual History of Possible Pasts in Rosângela Rennó’s Artistic Practice
DOI:
https://doi.org/10.5294/pacla.2023.26.1.4Keywords:
Visual arts, photography, public history, documentAbstract
The article addresses Rosângela Rennó’s artistic practice, relating it to the principles of contemporary historian practice. An overview of the different works in which the artist summons the past as a matter of imagination highlights strategies to bring up possible pasts that confront celebratory narratives of crystallized pasts. Therefore, we reflect on the relationship between artistic and historical practices as means for public histories. We follow a methodological path that begins with some parallels and approximations between visual arts and history to understand the potential uses of historical materials in the artist’s projects. Then, we consider the debates about the experiences of the ‘death of photography’ and the ‘end of history’ amid pictorial or visual turns as a generation phenomenon, concluding with a historical interpretation of Rennó’s works.
Downloads
References
Agamben, G. (2007) Profanações. Bointempo.
Belting, H. (2010) Antropología de la imagen (G. M. V. Espinosa, trad.). Katz Editores.
Bloch, M. (2001). Apologia da História (ou o ofício de historiador). Zahar.
Bredekamp, H. (2018). Image acts: Systematic approach to visual agency (E. Clegg, trad.). https://doi.org/10.1515/9783110548570
Christo, M. C. V. (2009). A pintura de história no Brasil do século XIX: Panorama introdutório. Arbor Ciencia, Pensamiento y Cultura, CLXXXV(740), 1147-1168. https://doi.org/10.3989/arbor.2009.740n1082
Edwards, E. (2022). Photographs and the Practice of History: A short primer. Bloomsbury. https://doi.org/10.5040/9781350120631
Hartog, F. (2013). Regimes de historicidade. Presentismo e experiências do tempo. Autêntica. https://doi.org/10.26512/hh.v1i1.10714
Herkenhoff, P. (1996). Rosângela Rennó. Editora da Universidade de São Paulo.
Knauss, P. (2006). O desafio de fazer História com imagens: arte e cultura visual. ArtCultura, 8(12), 97-115.
Knauss, P. (2008). Aproximações disciplinares: história, arte e imagem. Anos 90, 15(28), 151-168. https://doi.org/10.22456/1983-201X.7964
Le Goff, J. (1985). “Documento/Monumento”. Em: Enciclopédia Einaudi (v. 1; pp. 95-106). Imprensa Nacional.
Meneses, U. T. B. de. (2003). Fontes visuais, cultura visual, história visual Balanço provisório, propostas cautelares. Revista Brasileira de História, 23(45), 11-36. https://doi.org/10.1590/S0102-01882003000100002
Mitchell, W. J. T. (2005). What do pictures want? The live and loves of images. The University of Chicago Press. https://doi.org/10.7208/chicago/9780226245904.001.0001
Nadai, E. (1993). O ensino de história no Brasil: trajetória e perspectiva. Revista Brasileira de História, 13(25/26), 143-162.
Rennó, R. (2003). Rosângela Rennó. Depoimento. Editora C/Arte.
Rennó, R. (2013). A01 [COD.19.1.1.43] — A27 [s|COD.23]. Rosângela Rennó. http://www.rosangelarenno.com/obras/view/56/1
Rennó, R. (2015, 2 jul.). Entrevista com Rosangela Rennó. Laboratório de História Oral e Imagem, Universidade Federal Fluminense.
Santhiago, R. (2016). Duas palavras, muitos significados: alguns comentários sobre a história pública no Brasil. Em A. M. Mauad, J. R. Almeida e R. Santhiago (orgs.), História pública: sentidos e itinerários (pp. 6-19). Letra e Voz.
Santiago Jr., F. C. (2019). A virada e a imagem: história teórica do pictorial/iconic/visual turn e suas implicações para as humanidades. Anais do Museu Paulista, 27, 1-51. https://doi.org/10.1590/1982-02672019v27e08
Schiavinatto, I. L. F. e Costa, E. A. (2016). Cultura visual: apontamentos sobre um campo disciplinar. Cultura visual e história [recurso eletrônico]. Alameda. https://www.academia.edu/61764649/CULTURA_VISUAL_and_HIST%C3%93RIA
Struken, M. e Cartwigth, L. (2004). Practices of looking: An introduction to visual culture. Oxford University Press.
Visconti, J. C. (2003). Shattered DREAMS: Sonhos despedaçados / Beatriz Milhazes Rosângela Rennó. Editora Fundação Bienal de São Paulo.
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Palabra Clave
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
1. Proposed Policy for Journals That Offer Open Access
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
