Cine y fotografía para una cultura visual contemporánea en América Latina

John Mraz; Nekane Parejo; Manuel Blanco Pérez

doi:10.5294/pacla.2023.26.1.1

Film and photography for a Contemporary Visual Culture in Latin America

Authors

John Mraz Author Universidad Autónoma de Puebla
Nekane Parejo Author Universidad de Málaga https://orcid.org/0000-0003-3021-1223
Manuel Blanco Pérez Author Universidad de Sevilla https://orcid.org/0000-0003-1159-4679

DOI:

https://doi.org/10.5294/pacla.2023.26.1.1

Keywords:

Visual culture, photography, film, memory, Latin America

Abstract

This editorial presents a special issue focused on the interdisciplinary study of contemporary visual culture in Latin America, emphasizing photography and film. Drawing from art history, semiotics, cultural studies, and communication, the contributors explore memory, identity, emotion, violence, and resistance through various visual works. Highlights include research on photo-oil painting in Peru, political art by Regina José Galindo, the documentary Visión Nocturna by Carolina Moscoso, and Pizarro, a reflection on memory in Colombia. The issue also examines narrative elements in Lucrecia Martel’s cinema. Overall, it aims to provide academic insight into Latin America’s visual representations of the present world.

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Published

2023-03-03

How to Cite

Mraz, J., Parejo, N., & Blanco Pérez, M. (2023). Film and photography for a Contemporary Visual Culture in Latin America. Palabra Clave, 26(1), e2611. https://doi.org/10.5294/pacla.2023.26.1.1

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Issue

Vol. 26 No. 1 (2023): Contemporary Visual Culture in Latin America

Section

Editorial

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